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Audio Find - Atlas Vector Search for Audio

Ran Shir, Pavel Duchovny11 min read • Published Dec 04, 2023 • Updated Dec 04, 2023
AIDjangoAWSApp ServicesJavaScriptPythonAtlas
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As we venture deeper into the realm of digital audio, the frontiers of music discovery are expanding. The pursuit for a more personalized audio experience has led us to develop a state-of-the-art music catalog system. This system doesn't just archive music; it understands it. By utilizing advanced sound embeddings and leveraging the power of MongoDB Atlas Vector Search, we've crafted an innovative platform that recommends songs not by genre or artist, but by the intrinsic qualities of the music itself. Search Illustration
This article was done together with a co-writer, Ran Shir, music composer and founder of Cues Assets , a production music group. We have researched and developed the following architecture to allow businesses to take advantage of their audio materials for searches.
Demo video for the main flow

System architecture overview

At the heart of this music catalog is a Python service, intricately detailed in our Django-based This service is the workhorse for generating sound embeddings, using the Panns-inference model to analyze and distill the unique signatures of audio files uploaded by users. Here's how our sophisticated system operates:
Audio file upload and storage:
A user begins by uploading an MP3 file through the application's front end. This file is then securely transferred to Amazon S3, ensuring that the user's audio is stored safely in the cloud.
Sound embedding generation: When an audio file lands in our cloud storage, our Django service jumps into action. It downloads the file from S3, using the Python requests library, into a temporary storage on the server to avoid any data loss during processing.
Normalization and embedding processing:
The downloaded audio file is then processed to extract its features. Using librosa, a Python library for audio analysis, the service loads the audio file and passes it to our Panns-inference model. The model, running on a GPU for accelerated computation, computes a raw 2048 members embedding vector which captures the essence of the audio.
Embedding normalization:
The raw embedding is then normalized to ensure consistent comparison scales when performing similarity searches. This normalization step is crucial for the efficacy of vector search, enabling a fair and accurate retrieval of similar songs.
MongoDB Atlas Vector Search integration:
The normalized embedding is then ready to be ingested by MongoDB Atlas. Here, it's indexed alongside the metadata of the audio file in the "embeddings" field. This indexing is what powers the vector search, allowing the application to perform a K-nearest neighbor (KNN) search to find and suggest the songs most similar to the one uploaded by the user.
User interaction and feedback:
Back on the front end, the application communicates with the user, providing status updates during the upload process and eventually serving the results of the similarity search, all in a user-friendly and interactive manner.
Sound Catalog Similarity Architecture
This architecture encapsulates a blend of cloud technology, machine learning, and database management to deliver a unique music discovery experience that's as intuitive as it is revolutionary.

Uploading and storing MP3 files

The journey of an MP3 file through our system begins the moment a user selects a track for upload. The frontend of the application, built with user interaction in mind, takes the first file from the dropped files and prepares it for upload. This process is initiated with an asynchronous call to an endpoint that generates a signed URL from AWS S3. This signed URL is a token of sorts, granting temporary permission to upload the file directly to our S3 bucket without compromising security or exposing sensitive credentials.
Frontend code for file upload
The frontend code, typically written in JavaScript for a web application, makes use of the axios library to handle HTTP requests. When the user selects a file, the code sends a request to our back end to retrieve a signed URL. With this URL, the file can be uploaded to S3. The application handles the upload status, providing real-time feedback to the user, such as "Uploading..." and then "Searching based on audio..." upon successful upload. This interactive feedback loop is crucial for user satisfaction and engagement.
Backend Code for Generating Signed URLs
On the backend, a Serverless function written for the MongoDB Realm platform interacts with AWS SDK. It uses stored AWS credentials to access S3 and create a signed URL, which it then sends back to the frontend. This URL contains all the necessary information for the file upload, including the file name, content type, and access control settings.

Sound embedding with Panns-inference model

Once an MP3 file is securely uploaded to S3, a Python service, which interfaces with our Django back end, takes over. This service is where the audio file is transformed into something more — a compact representation of its sonic characteristics known as a sound embedding. Using the librosa library, the service reads the audio file, standardizing the sample rate to ensure consistency across all files. The Panns-inference model then takes a slice of the audio waveform and infers its embedding.
Role of Panns-inference model
The Panns-inference model is a deep learning model trained to understand and capture the nuances of audio content. It generates a vector for each audio file, which is a numerical representation of the file's most defining features. This process turns a complex audio file into a simplified, quantifiable form that can be easily compared against others.
For more information and setting up this model see the following github example.

Vector search with MongoDB Atlas

Storing and indexing embeddings in MongoDB Atlas
MongoDB Atlas is where the magic of searchability comes to life. The embeddings generated by our Python service are stored in a MongoDB Atlas collection. Atlas, with its robust indexing capabilities, allows us to index these embeddings efficiently, enabling rapid and accurate vector searches. This is the index definition used on the “songs” collection:
The "file" field is indexed with a "token" type for file name filtering logic, explained later in the article.
Songs collection sample document:
Vector search functionality
Vector search in MongoDB Atlas employs a K-nearest neighbor (KNN) algorithm to find the closest embeddings to the one provided by the user's uploaded file. When a user initiates a search, the system queries the Atlas collection, searching through the indexed embeddings to find and return a list of songs with the most similar sound profiles. This combination of technologies — from the AWS S3 storage and signed URL generation to the processing power of the Panns-inference model, all the way to the search capabilities of MongoDB Atlas — creates a seamless experience. Users can not only upload their favorite tracks but also discover new ones that carry a similar auditory essence, all within an architecture built for scale, speed, and accuracy.
'“Get Songs” functionality The “Get Songs” feature is the cornerstone of the music catalog, enabling users to find songs with a similar auditory profile to their chosen track. When a user uploads a song, the system doesn't just store the file; it actively searches for and suggests tracks with similar sound embeddings. This is achieved through a similarity search, which uses the sound embeddings stored in the MongoDB Atlas collection.
Since embeddings are stored together with the songs data we can use the embedding field when performing a lookup of nearest N neighbours. This approach implements the "More Like This" button.
The code filter out the searched song itself.
The backend code responsible for the similarity search is a serverless function within MongoDB Atlas. It executes an aggregation pipeline that begins with a vector search stage, leveraging the $vectorSearch operator with queryVector to perform a K-nearest neighbor search. The search is conducted on the "embeddings" field, comparing the uploaded track's embedding with those in the collection to find the closest matches. The results are then mapped to a more human-readable format, omitting unnecessary file path information for the user's convenience.

Frontend functionality

Uploading and searching for similar songs
The front end provides a drag-and-drop interface for users to upload their MP3 files easily. Once a file is selected and uploaded, the front end communicates with the back end to initiate the search for similar songs based on the generated embedding. This process is made transparent to the user through real-time status updates.
** User Interface and Feedback Mechanisms **
The user interface is designed to be intuitive, with clear indications of the current process — whether it's uploading, searching, or displaying results. Success and error popups inform the user of the status of their request. A success popup confirms the upload and successful search, while an error popup alerts the user to any issues that occurred during the process. These popups are designed to auto-dismiss after a short duration to keep the interface clean and user-friendly.

Challenges and solutions

Developmental challenges
One of the challenges faced was ensuring the seamless integration of various services, such as AWS S3, MongoDB Atlas, and the Python service for sound embeddings. Handling large audio files and processing them efficiently required careful consideration of file management and server resources.
Overcoming the challenges
To overcome these issues, we utilized temporary storage for processing and optimized the Python service to handle large files without significant memory overhead. Additionally, the use of serverless functions within MongoDB Atlas allowed us to manage compute resources effectively, scaling with the demand as needed.


This music catalog represents a fusion of cloud storage, advanced audio processing, and modern database search capabilities. It offers an innovative way to explore music by sound rather than metadata, providing users with a uniquely tailored experience.
Looking ahead, potential improvements could include enhancing the Panns-inference model for even more accurate embedding generation and expanding the database to accommodate a greater variety of audio content. Further refinements to the user interface could also be made, such as incorporating user feedback to improve the recommendation algorithm continually. Looking ahead, potential improvements could include enhancing the model for even more accurate embedding generation and expanding the database to accommodate a greater variety of audio content. Further refinements to the user interface could also be made, such as incorporating user feedback to improve the recommendation algorithm continually. In conclusion, the system stands as a testament to the possibilities of modern audio technology and database management, offering users a powerful tool for music discovery and promising avenues for future development.
Special Thanks: Ran Shir and Cues Assets group for the work, research efforts and materials.
Want to continue the conversation? Meet us over in the MongoDB Community forums!

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